Nine million tulips of a variety of colors were grown in Norfolk, England to serve as the backdrop for Munchkinland in ...

The film’s production designer, Nathan Crowley, had nine million tulips planted to create the look of the magical village in the musical, a prequel to The Wizard of Oz. Crowley says he and ...

The endless rows of tulips made for a spectacular visual captured by Alice Brooks’ cinematography. The film’s opening number ...

Wicked’s Munchkinland set had some serious flower power. The film’s production designer, Nathan Crowley, had nine million tulips planted to create the look of the magical village in the ...

Wicked’s Munchkinland set had some serious flower power. The film’s production designer, Nathan Crowley, had nine million ...

The set of Munchkinland, featuring millions of tulips. The film’s production designer, Nathan Crowley, had nine million tulips planted to create the look of the magical village in the musical, a ...

“You don’t hire me for VFX films!,” says production designer Nathan Crowley. “I get a lot of complaints like, ‘This set is too big,’ but at the end of the day, everyone comes back and ...

Production designer Nathan Crowley tells IndieWire about his Oz world-building, designing sets like the spinning shelves and Emerald City train.

“Jon said, ‘I need color—I want a rainbow,’” recalls the movie’s production designer, Nathan Crowley. “And I said, ‘Let’s go find a tulip farmer.’” The idea wasn’t completely outlandish. For the movie ...