A family drama and a political parable, Rasoulof’s new film concerns a recently promoted “investigative judge” named Iman (Missagh Zareh) — really a rubber-stamper there to bureaucracy-wash the regime ...
The seven programs in Asia Society's Iranian New Wave series uncover an era in world cinema that's likely to be unfamiliar even to veteran fans of international art films. Can you summarize what's ...
Tehran’s glass architecture is not just a matter of changing taste. Open facades symbolise a yearning for transparency. In a society where private freedoms have long flourished behind closed doors, ...