A free, bi-monthly showcase of screen works in progress. Watch and playtest new, exciting and evolving projects by makers working across film, TV, videogames and art. Practitioners are invited to ...

Lesbian prop-master Casey (Cam Killion) is abandoned after a fight at a run-down motel by her girlfriend, at the height of COVID-19 lockdowns in California. What’s worse, her girlfriend has taken not ...

Anti-heroes are set to takeover our museum and cinemas this November with 12 screenings, two talks and six original artworks inviting you to step into the world of flawed, complex and unapologetically ...

One of the great iconoclasts of British cinema, Derek Jarman (1942–1994) was a multidisciplinary artist par excellence whose tirelessly provocative, unapologetically queer and highly influential ...

Teddy Award-winning director Marco Berger (Horseplay, MQFF 2022) returns to the queer film festival circuit to continue his focus on masculinity and lust between men with his latest feature, The ...

ACMI would like to acknowledge the Traditional Custodians of the lands and waterways of greater Melbourne, the people of the Kulin Nation, and recognise that ACMI is located on the lands of the ...

ACMI (the Australian Centre for the Moving Image, ABN 37 375 237 227) regularly conducts visitor research to ensure we are delivering the best experiences we can. We do this through collecting ...

In many ways a companion piece to The Last of England, Jarman’s first feature of the 1990s is a highly personal, almost dialogue-free film reflecting on the hostility and violence faced by gay, queer ...

It’s a truth universally acknowledged that something has made the mainstream lexicon when it’s featured in a Taylor Swift song. “It must be exhausting always rooting for the anti-hero,” the songstress ...

Fuel your passion for film from home. Rent new releases, classics and revivals of our past programs at the click of a button. Experience ACMI in the very best way. Get a range of discounts and ...

Filming ourselves and sharing the footage isn’t a modern phenomenon inspired by smart phones. It goes back to the first film in 1888 with Louis Le Prince’s Roundhay Garden Scene, a silent short of his ...

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